Mantis 21 (Summer 2023)
New Poetry
Erika Kielsgard
Orchis militaris
sì come schiera d’ape che s’infiora
una f ïata e una si ritorna
là dove suo laboro s’insapora,
nel gran fior discendeva che s’addorna
di tante foglie, e quindi risaliva
là dove ’l süo amor sempre soggiorna.
—Dante, Paradiso
pottering in the chalk downs
captured my imagination
tree-muffled evening
inverted wishful thinking
village hills today a garden suburb
tang of seaweed romantically remote
I lived in hopes, another insect
haunting thyme-scented silence
half-believed in holidays
hung over me, withered in the bud
flowers were my first love
and seem likely to be my last afternoon
the scattered stars of pink anemone
mere memories of memories
*
not always there, flower names
are oddly interchangeable
archetypal pictures of a bee
in blue Bengal light
belonging partly to the vegetable
I joined as a private
abstracting faculty absent
one miracle repeated
a sense of reality
the Head already preparing
for the sacrifice
appearing sporadically
comet by accident
yet to come
*
anyone can write nonsense
about flowers
artificial paradises
prick with tears
resounding names
typical of a poet’s botany
a vague reference to violet
omissions in jam pots
upholstered imagery
of long purples
vascula crammed
historical parentheses
curiously heart-shaped
holes still unfound
*
fading flowers unrequited love
the discovery made me
sunlit for weeks
transfigured, fringed
fabulous lineaments
unmitigated relief
cylindrical spike, broader
divisions of the lip
annihilating consciousness
of future fallen plums
barriers burnt golden
a new wallpaper
where orchids lurked
he took my hand
*
damp expanse of skin
flowering in the waste patches
the wine bottle gleamed darkly
never-to-be-repeated lyric
unseasonable architecture
springing nakedly
taken for some ruined temple
few windows left intact
sky-blue irises conceal nothing
grave behind his spectacles
sudden leaf overnight
I looked again
dried skeletons of windless morning
stealing up like tiny birds
ERIKA KIELSGARD is a writer, singer, and artist researching disruptive patterns for protective concealment in nature. Most recently, their work is in Footprints: an anthology of new ecopoetry (Broken Sleep Books, 2022), and has found generous homes in Bone Bouquet, Cordella Magazine, Maudlin House, The Penn Review, Volume, and others. She lives in Brooklyn, NY.