Mantis 18 (Spring 2020)
West Coast Poetry
Karolina Zapal
Pacific Coast Highway: a phone note travelogue
there’s traffic
on every shelf asphalt sparkles softly like a traffic camera flashing
from below
“no flash photography” might rub out the sky
fog crested hills like the meaty part of the thumb disappear
in handfuls of water
***
all the bridges have tolls start debates about who’s paying
whose turn
to finger detritus a t the bottom of one’s pocket purse or
console
from what they collect the most important more
than money are these
money conversations
***
two planes are flying tragically close together
the pilot said “let’s get you there uneventfully”
it’s now a positive adjective: uneventful
the bathrooms are uneventful this ride is eventful
CLEAN BATHROOMS ARE FOR CUSTOMERS ONLY “I’ll
take a dirty one please”
cousin says “you can’t take just one” the bag of chips is larger than
her head
so I take a second to prove her right
***
we pass a batch of bright buildings father says “those are horizontal colors”
cousin wants fruit from a roadside stand yells “banan to nie
owoc!” search
word puzzles can be completed in any language we tried playing
Scrabble with a Hungarian
board but it quickly became impossible there were twelve k’s
***
nothing stings more than missed opportunity even driving
a bag of legs into a forest of nettles
like passing a photogenic spot in a carful of people
so everyone takes a photo from one’s seat tries to piece
back together
the view
pieces back together the car
***
“turn headlights on” leads to a graveyard on a lone curvy road as if
each person there were killed by a drink
“report drunk drivers” to which father says “it must be the climate
for these nine miles”
or have I mixed up the signs?
***
sometimes we shed our beliefs when for a time they do not
serve us
like drinking water is the ultimate cure
sleeping seven and a half hours is just right
as long as the car doesn’t change its speed it is impossible to feel
motion
sick
reading
Mary Szybist: could it have been anyone any virgin? soft car
masturbation
a thumb caved in just the right place nighttime anxiety
curtailed by the realization that dying
right now would mean I’d die in my sleep or natural disaster
gender less
a teenage clerk in Salinas says “you can use the men’s if you want”
spatter makes for pretty lace
***
we are surrounded by people
with accent homes
a green tractor sits in a green field surely for aesthetics
the cows are facing north
“it’s showing me two miles”
“it’s showing me three and a half ”
“it’s because you’re sitting in back!”
***
how much effort does it take to see the world the word in
Polish is poświęcić to give up
cousins święci (saints) świecić (to shine) effort breaks up life’s
monotony monotony’s
monopoly one travels only as far as money can stretch
catering taste to circumstance
“when I was your age all I could do was look at a map the school had
put up”
will someone travel to each of my body parts
to see if it’s clear
***
a writing tip: find a beautiful fact about an animal plant or insect
discuss it in detail then say “I’d do the same”
especially when it comes to reproduction everything is poetic
***
the tangle of parents in the front seats brainstorms
“what’s taking them so long?”
“maybe there’s traffic” “maybe they left late”
I laugh let in on the secret
they’re twenty and on vacation in America
they probably stopped to have sex in American ways
“even if you’re in a loving relationship with a man with a big
dick at some point he will wag it in front of you and you will
reluctantly
do something about it” men with smaller
egos are more resourceful
with their hands mouths
“she’s a little feminist” mother says
when she needs to resolve something I’ve said
***
it’s only when I listen to “no”
podcast by The Heart Radio that I understand I have been pressured
by my first boyfriend
“you’re just going to keep building it up in your head
we’re never going to do it”
do I regret it?
no but I also don’t regret the late heavy dinner
it’s not almighty not regretting
dating can be better
than love
you still have your wits about you so you know what’s good
bad for you
you can use him
as a subject without projecting too much emotion
***
horrible motel
drug deals? the reception is behind glass
all of us need to present our IDs
uncle aunt and cousins slip her their German cards
is this a joke? I imagine the receptionist mirroring what
father says under his breath
she looks at us intently as if calculating
who she finds the least attractive
blood on the carpet roaches in the bathroom
the stairs leading up to the rooms under scrutiny by the sprinkler
yet we can’t find a parking spot
a man naked from waist up marches up and down the stairs
at midnight
smells like perfume must and cleaning products
cousin is suddenly nauseous
the parents think it’s the drive long hours reading the sea
but I know this secret too anxiety jumped
a generation from grandmother
to her and me I tell her we can talk I have learned
to cope
but she’s still too young to refuse her mother’s coddling
***
they look for a match to light the stove
I walk up
light it for them “this isn’t Poland”
***
lady at the pier “what language are you speaking?” slowly
deciphering the European cuts ribeye tongue eye round
a mouth around
“I went to Warsaw once took cover at a restaurant
unopen
they saw me shivering offered me tea infused with cherry
syrup and vodka
I haven’t tasted anything since”
***
each of us knows a combination of Polish English German
which makes speaking a translation
guessing game
who understands who doesn’t
only cousin knows all three
born in Poland grew up in Germany forced to learn English
***
he’s a piece of ripe fruit I’m going to squeeze
he’s a piece of rope fruit I’m going to hang
onto
***
I try to read the people around me
are talking and watching TV
I get distracted angry at myself
but what if reading means incorporating distractions as part
of the experience
like when I’m distracted by thoughts of you
you enter the vague lattice of my feelings
***
I spill coffee and hide it with my thigh
a surge of chamomile and lavender
evoke grandmother’s perfume
***
one car window open warm hair whipping wind perfect view
until mother says something about the window being open the AC
being on
so we go through a dance
of AC turning off windows going up down
never returning to the same state of perfection
KAROLINA ZAPAL is an itinerant poet, essayist, translator, and author of Polalka (Spuyten Duyvil, 2018). Her second book, Notes for Mid-Birth, is forthcoming from Inside the Castle. Her work has appeared in Posit, Cathexis, Northwest, Witness, Bone Bouquet,Adirondack Review, Bombay Gin, Foglifter, and others. She has completed three artist residencies: Greywood Arts in Killeagh, Ireland; Brashnar Creative Project in Skopje, Macedonia; and Bridge Guard in Štúrovo, Slovakia. She works in Student Services at the South Carolina Governor’s School for the Arts & Humanities.