Mantis 21 (Summer 2023)
New Poetry
Rajendra Persaud
Mathematics of Grief
Karolyn buys three jumping spiders
from a masked woman in a parking lot
so that she is not the only living being
in her mother’s house.
When she comes back home next month
San Francisco will be the only place named home.
Pledge spiritual fealty to SF drag queens, yes,
swim far to the far coast,
but Louisville, Kentucky was the undertow.
Back there, there was always
a place to sleep, a car to drive, food in the fridge.
Her mother. There was always her mother.
Karolyn says, anything she does not take now
from her mother’s house
will not exist.
When your mom goes. Passes. Passes away.
(No one says dies.)
Dorothy plots quitting her job again:
I thought I was fine
but I’m really not.
I tell her, it won’t be linear.
Do I mean geometric, algebraic?
It’ll be a bumpy line of 1970s rickrack
ridges and troughs.
Sound Translation
In my sister Isolde’s car crossing the Bay Bridge,
we are two adults and two children, masked.
Driving to our mom’s driveway,
Thanksgiving 2020, we will outdoor-gather,
we will household-mingle, for the first time.
In the passenger seat I’ve got my camera out,
photographing her, the sky, 360-degree stimuli:
Isolde, two feet away, not through a computer screen!
Velocity of billboards and blue sky and needlenosed buildings
coming at me through the windshield,
so much bigger than laptop Netflix!
I’m taking pictures of the steel beams overhead
and banditface selfies in the side mirror as we rush eastward;
windows rolled down whip my words away as I say
I haven’t seen water in a while.
This whole year I’d only walked, no trains cars or buses.
Landlocked in a coastal city. Neighboring cities
turned stagecoach distant, turned future tense.
After a pause (she always pauses before she speaks,
like our father, how this tic of an inheritance
when he never lived with us?) she says
Yes, you haven’t seen her since March.
I say water, she hears mother.
Our mother, the water,
universal,
larger than the bay, the sea, the tide.
our mother the water the water the mother
watermother motherwater la mère la mer
themotherthesea the mother sees
mother mother
Mother?
Thanksgiving. Lap dinner on the steps
at the top of the steep driveway
three small sororal households
stationed ten feet apart.
We wave and Andy makes a joke and
the kids fall off plastic chairs and
I spritz rubbing alcohol on my mother’s hands
and she pours us champagne.
I’m so happy I’m crying.
Thanksgiving. A few weeks back
Karolyn’s mom told the nurse
she wouldn’t be here for Thanksgiving
and she wasn’t.
She passed the night before.
Thanksgiving.
Karolyn’s first day
motherless.
Dorothy’s first holiday
alone here.
Alyx’s first holiday
not anywhere.
Towards the end, once,
Karolyn’s mom didn’t recognize her.
Hearing that, I feel crumpled.
Please forget this last bit, lethe waters rising.
You don’t want to know
that your mother does not know you.
Remove. Roll back.
Only a dream,
not the true true.
LILY KAYLOR HONORÉ is a queer Californian poet, essayist, and MFA candidate at New York University, where she teaches in the undergraduate creative writing program. She is Fiction Editor of Washington Square Review. Her recent work can be read in Foglifter and Through Lines Magazine. Honoré lives in San Francisco and Brooklyn.