Mantis 18 (Spring 2020)
Amherst College

Christopher Spaide


Dunkin’ Doldrums

De-, then sup-, then yup, repressed,

the deluxe prefix menu—com-, decom-, unimpressed—

we’ve tried the best,

ODed on OED for a fix of that perfect word

and fell back earthwards bearing modest

pressed: fresh- and French- and bench-pressed, the chest

ironed creaselessly crisp, the breast-

bone battered, brittled, breached by a herd,

one dozen strong, of unharnessed

Trojan horses, whose trapdoors pour a Wild West

of wiliness, no rest, no arrest

till they’ve plowed under and plundered

and planted romanceless ransom notes addressed,

dear heart, to us: our downfall their dearest,

their dourest

our rest. Once, for damn sure, we preferred

our gloom glamorous. Gallantly processed

down Met Gala red, dressed

like a wound. Wound up the single wedding guest

chauffeured

in a stretch hearse—yes, real fakes, pro wrest-

ling stocky feelings, till worst came to worstest . . .

Who’d’ve guessed?

Even the clocks, hands up, surrendered.


Yesterdays, pestered for decades, acquiesced.

Pressed

for time, we’ve pressed

time back. Post-past, we’re not post-pissed, not cured

of missing, absurdly, those same messed-

up moments that—amassed, squashed flower-flat—expressed

one squirt of self. Shame kept us tamest.

That famous shut-in, hardly heard,

shame shushes its own name—a sham unstressed,

some swallowed ha, the me regressed

past infancy, save the few words finessed

less in the first- or third-

than the last-person unreliable, id est,

an I for annihilation. We’d taste-test life’s zest

the instant slimy winter caressed

our wind-nipped lips, rasped them ruddy. rest assured

(cold-called the coming season) as sure as shit, no rest

is sure. Clouds clot the sky, it’s a Rorschach test

on the house, and signs suggest

a splotchy psyche, free as its burd-

ens, free of the foggiest

ghost of a notion of how it’ll feel to feel—dispossessed

of smug, snug numbness, or no, we’re blest,

our daze is numbered—

secured with the blurred prospects off the crest

of Mt. Severest, say today we pressed

play, pressed

on, how might that feel, to live like it mattered?


CHRISTOPHER SPAIDE is a lecturer in the Department of English at Harvard University. His poems, essays, and reviews have appeared or are forthcoming in College Literature, Contemporary Literature, Poetry, and The Yale Review.