Mantis 18 (Spring 2020)
Amherst College
Christopher Spaide
Dunkin’ Doldrums
De-, then sup-, then yup, repressed,
the deluxe prefix menu—com-, decom-, unimpressed—
we’ve tried the best,
ODed on OED for a fix of that perfect word
and fell back earthwards bearing modest
pressed: fresh- and French- and bench-pressed, the chest
ironed creaselessly crisp, the breast-
bone battered, brittled, breached by a herd,
one dozen strong, of unharnessed
Trojan horses, whose trapdoors pour a Wild West
of wiliness, no rest, no arrest
till they’ve plowed under and plundered
and planted romanceless ransom notes addressed,
dear heart, to us: our downfall their dearest,
their dourest
our rest. Once, for damn sure, we preferred
our gloom glamorous. Gallantly processed
down Met Gala red, dressed
like a wound. Wound up the single wedding guest
chauffeured
in a stretch hearse—yes, real fakes, pro wrest-
ling stocky feelings, till worst came to worstest . . .
Who’d’ve guessed?
Even the clocks, hands up, surrendered.
Yesterdays, pestered for decades, acquiesced.
Pressed
for time, we’ve pressed
time back. Post-past, we’re not post-pissed, not cured
of missing, absurdly, those same messed-
up moments that—amassed, squashed flower-flat—expressed
one squirt of self. Shame kept us tamest.
That famous shut-in, hardly heard,
shame shushes its own name—a sham unstressed,
some swallowed ha, the me regressed
past infancy, save the few words finessed
less in the first- or third-
than the last-person unreliable, id est,
an I for annihilation. We’d taste-test life’s zest
the instant slimy winter caressed
our wind-nipped lips, rasped them ruddy. rest assured
(cold-called the coming season) as sure as shit, no rest
is sure. Clouds clot the sky, it’s a Rorschach test
on the house, and signs suggest
a splotchy psyche, free as its burd-
ens, free of the foggiest
ghost of a notion of how it’ll feel to feel—dispossessed
of smug, snug numbness, or no, we’re blest,
our daze is numbered—
secured with the blurred prospects off the crest
of Mt. Severest, say today we pressed
play, pressed
on, how might that feel, to live like it mattered?
CHRISTOPHER SPAIDE is a lecturer in the Department of English at Harvard University. His poems, essays, and reviews have appeared or are forthcoming in College Literature, Contemporary Literature, Poetry, and The Yale Review.