Mantis 22 (Summer 2024)
Disillusion; Dissolution
Lawrence Bridges
Hard Living
The pond and speckled light
encountered as a frame for echoes.
Everything after that is fixed.
Everything before it formless,
open space with no physics.
Landscape is a thin placeholder
for a layer of anything,
like this landscape,
after we answer the question
what is this landscape like?
I started arbitrarily, having
no subject due to hard living,
could picture nothing other than
a picture sent by a friend
who lives in San Francisco near
Golden Gate Park. All
possible frames vibrate,
emanate hurling rectangles
of feedback. I’ve never visited
this pond. I live entirely
by another’s mind when
I have nothing framed of my own.
LAWRENCE BRIDGES’ poetry has appeared in The New Yorker, Poetry, and The Tampa Review. He has published three volumes of poetry: Horses on Drums (Red Hen Press, 2006), Flip Days (Red Hen Press, 2009), and Brownwood (Tupelo Press, 2016). You can find him on IG: @larrybridges.