Mantis 22 (Summer 2024)
eccentric/eclectic/electric/ekphrastic
Robert Fernandez
Jackpot
S O L O S
O 7 O 7 O
L O G O S
O 7 O 7 O
S O S O S
s
s o s
o l o
7 s o s 7
g
o
7 l s l 7
o o o
s l s
Poet’s note to editor:
“Jackpot” is based on the Rotas-Sator square. I’d be interested to see it made three dimensional. Perhaps it could be a bit of a game, like a Rubik’s cube. Or a slot machine. (Or a Rubik’s cube/slot machine.) Or maybe it could start as a strand of two-dimensional text, then hit a wall, like a tape measure, then another and another, etcetera until a three-dimensional shape based on the logic of the Rotas-Sator square is revealed. Then maybe it could work backward, like Theseus in the labyrinth, toward again becoming the two-dimensional poem on the page.
Editor’s note to reader:
This, indeed, is a poem destined for the digital. While you may perceive it as a static image on a page, the arrangement of characters is anything but. Should you feel yourself given over to the dynamism of its oscillating allusions, imagine its motion: a moment of transmutation, the permutation of possibilities, an orderly reordering of association rendered in the traversal of your sight line. If you see it, you’ve already won.
ROBERT FERNANDEZ is the author of Scarecrow (Wesleyan University Press, 2016), as well as Pink Reef (2013) and We Are Pharaoh (2011), both published by Canarium Books. He is also cotranslator of Azure (Wesleyan University Press, 2015), a translation of the work of Stéphane Mallarmé. www.robert-fernandez.com