Mantis 22 (Summer 2024)
visceral, velocities
Florence Weinberger
Through Which a Visceral Language Materializes
I knew you would argue dolphins, so blatant
their emanations, but you’d never guess radiant windows
is how I know my neighbor’s reconciliations.
The waver of leaves as I water at the root is found speech,
I speak charity for the ragged running rabbit stalked
by a voracious hawk, my soul in tatters taught grace.
Maybe you faced corn husks singing like demented tenors
the corn is as high as an elephant’s eye
and entered that rare atmosphere, where your body began
to run out of words.
Not all endeavor is holy. Often prayer strays toward gold,
confession ends in lame excuses,
and even when you profess, you shrink your mistakes
down to the size of a spitball.
The Big One, the psychically subconscious half-willful
dumb mistake you made
when you weren’t that young, the journal you filled
with every indiscreet thing you ever did
and now you can’t discard without reading first, without
the urge to keep turning the pages, inflicting on yourself
the maim of revived memory;
what will you do for expiation, pray? Send a check
to the trenches? Bend from the waist? Instead,
try entering a synagogue the final hours of Yom Kippur,
the congregation famished from fasting, and attend
to the sound of the shofar, the ram’s horn that once
warned of war, brought news of celebration, summoned
the tribes to waken and rise to what some call the Divine,
and tell me the hair on the nape of your neck didn’t bristle.
Or stand transfixed in an alley
in the old city in Jerusalem next to an open door
beside a church bruised by centuries,
the limpid notes of a young girl singing a cappella
an ancient Gregorian chant drifting onto the worn stones,
and try to hold back your tears.
Listen to the twined voices of the muezzin
chanting from the minarets in Istanbul, bring in to yourself
the weave of brio, body and bamboo
in the hands of a shakuhachi player, find a language for
Louis Armstrong, Miles Davis, Wynton Marsalis
hallowing the air the way Beethoven’s Ninth sanctified
the Nineteenth Century, and Presley, Pavarotti, Callas,
have blessed ours. It is possible to feel the earth thrill,
to retrieve our animal vocabulary.
Six times nominated for a Pushcart, once for Best of the Net, FLORENCE WEINBERGER is the author of six books of poetry, most recently These Days of Simple Mooring, winner of the Blue Light Press Book Award. Her poems have appeared in journals including Calyx, Rattle, Mantis, Miramar, River Styx, Ellipsis, Poet Lore, Comstock Review, Baltimore Review, Nimrod, Cider Press Review, Poetry East, Shenandoah, and numerous anthologies.