Mantis 22 (Summer 2024)
eccentric/eclectic/electric/ekphrastic
Jake Levine
from GHOSTING
Before you step on board, ask yourself
how much can you erase before you vanish?
What traces are you willing to lend, what secrets
do you need to conceal?
Crewing the ship one learns to feel bad
about how far you need to go
to feel bad, when you cast the net
and find yourself flapping around, gills bloodied
black eyes grayed like marble glass, caught in
this boat with shadow friends
that dissipate in ocean breeze
while sea snakes walk S shaped
off deck planks and steamed crab
blossoms white shells and brains
crack and break like cauliflower
skulls and irradiated thoughts
the gutless landscape bugs out
point their pistols up
and BANG!
cloud intestines drop
If heaven pulses like a bulging vein
the wind hurls the gulls’ caws
into an El Nino squall
and the sea wails will throw you overboard
just to watch you drown
On the deck the sirens’ screams
pretzel shape the fog
the fog downs the galley wall
and builds a gated community on your eyelashes
Aaaargh!
there blows a schooner
small enough for you to swallow
and Aaargh!
the sea dragon aches and
Aaargh!
regrets curdle like warm yogurt on the jetty rocks, but
your face already ice creams
in the lactose puddle
of your desert hot head
a mirror of batshit-iceberg-slicking life drip
crusting over the grief horizon
ripping off your eyelids
like the Bodhidharma of sleepless nights
that exhaustion won’t let you fail
because among so many
you have to believe
you alone will persevere
Ghosting yourself at 3 AM
the lover’s destiny is to stand in solidarity
with the monsters that want to eat them
A land lover massages their jelly fat
to become a more delicious snack
hops in the water and
the siren’s glee
sounds like a colony of black ants
at the tetherball court
when the kid with a face like a dirty plate
gets pegged with a dodgeball and plops
their ice cream in the greedy sand
Despair, this ship can only be skippered by ghosts and
Departure, every hull is cramped with smacking lips
and the wanderer’s heart pumps
sticky down my sweatless hand
Salvation is the wound stabbed flank
and a sea hag with seaweed hair
holding a blood tipped pen
The gunboat reports Blast Blast Blast
white flashes in the smoke filmed sky
and plop plopping
swallow corpses pound down like pepperoni shaped
nipples shaved off Zeus statues and dropped from Olympus
I read the inflated animal in the morning mirror like a bible
because the person I think I am
inside this picture of the captain
always has this feeling
I’m going to drown and
the stars spackled on the water
cackle like the glint of a pack
of smiling hyena’s teeth
waiting for me at the deck end
If they break on the hull of my skull and
slosh loud in the absence of sound
My hands are like two heavy chords
an immemorial song
holding tight to the wheel
JAKE LEVINE is an assistant professor of Creative Writing at Keimyung University. He has written and translated or co-translated over a dozen books, including Kim Yideum’s Hysteria (Action Books, 2019) which was the first book to be awarded both the National Translation Award and the Lucien Stryk Prize. He is a former Fulbright Fellow (to Lithuania in 2010), a recipient of a Korean Government Scholarship, served as an assistant editor at Acta Koreana, as a poetry editor at Spork Press, as the managing editor and editor-in-chief at Sonora Review, and currently edits the award-winning contemporary Korean poetry series, Moon Country, at Black Ocean. He has also translated other cultural contents such as Yun Hyong-Keun’s diaries and narration for the K-pop group ENHYPEN. His first full-length book of poetry The Imagined Country was published by Tolsun Books in 2023.