Mantis 22 (Summer 2024)
eccentric/eclectic/electric/ekphrastic
Sophia Terazawa
Aptitude Test
Describe how it felt, not [desert type] [mountain type]
Describe a miracle [tablets] [range] pileup on Interstate 94
Describe [going straight to voicemail] the parking meter nested with
hummingbirds
Describe whose face in a shark costume [wearing a baby shark costume
underneath] grand [all day with sparklers] at the interview
Describe but don’t mention a sleep study
Describe your five best [personality]
Describe in alphabetical order [skill set] [say, if the predator looks at
you but doesn’t attack] confidence may be called for [if, in the not-not-
looking, failure might be imminent]
Describe [when the bear lunges] don’t just stand there, honey
Describe success [straight-up-a-tree-gone] expect our call within four-
five business days
Describe [locomotion] [debt, pod] irreparable [union] [living wage, it’s not]
Describe boding [cerebrum] [thought-journey] [at the end] a blank screen
Describe how often you save your work [can you take a short survey]
Describe the bear whose forest became a torch one summer [take the
survey]
Describe the gale
Describe lines running for water [skills or all you need at the end of this
world]
Yesterday in my notes shells were arranged in pleasant order
Teacup and saucer filled with baby’s
breath, pink roses, lily of the valley.
Wheels of fortune turned east. Iris
patchouli bundled in plastic bags.
Decay fell to one side; twice I’ve been
asked about a rally on Main, if I saw
my students there, if I wanted to stay
with this job, pokeweed, Prices Fork
Road, the fall semester, wintermester,
emails reminding all staff and faculty
to remain alert, but for what, I prepare
my lessons on dying. Today an
ambulance was bombed, not in this
town; syntax, nothing to throw but
ourselves. F was in my dream last
night giving birth. Who was her child
alert to disorder and order? In this
galaxy, we were all wiped out.
Prologue: A Call to Action
Treachery is certainly not the only
path to self-determination, though one
line of thought about a people’s right
to live and die with dignity counters
annihilation.
The war machine is, and always will
be, against treason. Remember that.
One line of thought is certainly not
enough to stop a combat vehicle of
any size. Remember who you saw in
the open, in 1989, waving at the tanks
to stop.
If a poem could lie down, that would
be enough. If I could die for your
people’s right to dream, may that
never be enough.
The sky records all wars as singular
governance. Traitors of that state have
been named among us planting soft
prayers in the earth, raising their
babies, calling for peace. What do I
believe?
If earth records even the smallest of
hopes, earth betrays no one as I betray
the earth. There is no logic in naming
such horror.
The war machine cannot dream. It
blocks every poem, carries on down
the road to every field, the same field
for millennia.
At first, the poem wore a white shirt
and carried, what appeared to be,
nothing.
Then, the poem decided to take action.
The poem hurried out into the street.
For years, the poem remained
nameless. We only saw the back of its
head, the white shirt and dark
trousers, how the poem gestured
STOP, a period at the end of a line
bringing oblivion.
Go to that period, to every line you can
with that sign. The poem will fail in
many ways. Still, our world is made of
singing.
SOPHIA TERAZAWA is the author of three collections, Winter Phoenix (Deep Vellum, 2021), Anon (Deep Vellum, 2023), and the forthcoming Oracular Maladies, a finalist for the 2023 Noemi Press Book Award. She has also published two chapbooks, I AM NOT A WAR (Essay Press, 2016) and Correspondent Medley (Factory Hollow Press, 2019), winner of the 2018 Tomaž Šalamun Prize. She currently teaches poetry at Virginia Tech as Visiting Assistant Professor. Her debut novel is forthcoming with A Strange Object in 2025.