Mantis 22 (Summer 2024)
eccentric/eclectic/electric/ekphrastic

Fernando Martinez Periset


“Somebody shot Ray Richards tonight”

Today’s play:

“The Murder of Gonzago or The Mousetrap”

“Somebody shot Ray Richards tonight”

Yesterday… was I sitting on the roof of a crystal palace

seeing air, fire, earth and sea pouring over me?

Between the white and yellow lights of a living city

a sixty-year-old actor rises and sails across the stage.

His rusty body bows at the audience staring at his cage,

while spotlights caress his face, old and gritty.

There was a time he used to enjoy

being a lonesome pretender.

But merciless winter wrecked his splendour,

crushing it down below the walls of Troy.

Now I recall what happened that night,

when red-chested swallows talked to the shimmering tune of moonlight

asking her to whiten their feathers;

when the sweet morning dew slipped away from the tip of my tongue

and came through the ceiling of this golden hall.

An iron jungle, a concrete cage

where undone shadows wander in ecliptic obscurity…

I could have made my body roam

through the empty streets of a sunless sky

that bathed the marshmallow houses.

I wish I could have drowned in the lagoon

where glass mermaids sang day, night and noon.

They say I have always been ill, very ill.

Standing ovation in some forsaken place,

beside the West End lights,

praising Ray Richard’s suit

whose right sleeve laughs, whose left sleeve cries.

In the distance I saw a yellow land

where the building walls turn to paper flames

and the clouds were made of clay.

The edifices crumbling, falling above the moon.

This plastic floor moving faster

than a sinking ship on the edge of a stormy waterfall.

The rustling echoes of dead voices told me! It was not my fault!

They whispered in my ear… They told me to do it.

And a million shady eyes trapped in a crystal cage.

I took my pen out, turned over the page,

looking for the man standing on the stage. [Heartbeat.]

An ink-stream that will forever rest in this verse. [Heartbeats.]

His dead heart shrieked; still stayed mine, though I was alive.

Ray Richards collapses with a red stain in his chest

on his white, fragile suit

as the tide rises to this verse’s pace,

over the fragments of Ray Richards.

I wake up in the morning in this palace made of glass.

No darkness. No light. No stars.

The police said: “We know it was you, though he was in your head.”

“But that’s silly!” I said. “You cannot kill whom does not exist, can you?

Such a poor poet I am! How could I have done such thing?”

[The beating of his hideous heart]

When I touch my nakedness, I feel the itch of red ink

on my white, fragile suit.

And lose sense of time and space

when my own pen stabs my chest.

My right sleeve laughs, my left sleeve cries.

Standing an hour upon the stage,

half alive and half enduring a disease called age,

I witness myself in the mirror aiming at my own reflection.

[Your sighs. My gaze. His life. Your face. My eyes]

And they said I had always been ill, very ill.


FERNANDO MARTINEZ PERISET is a PhD student in the department of Comparative Literature at Stanford University. Before joining Stanford, he studied in the UK, France and Ireland. His interests include Early Modern studies, intellectual history, the history of emotions... and petting cute cats!