Mantis 22 (Summer 2024)
Disillusion; Dissolution
Guy D’Annolfo
Our feat of imagination
Is that an antelope in a costume? My son picks up a picture of Whitman,
with a wired beard, scrunches his brow then emphasizes: a lot.
I add, conspiratorially, it is. He scrutinizes my expression
for a missing smile. He’s also, I add, any various number
of birds, a zebra, an ostrich, even a tree and a rock,
all under the shadow of that great big multitudinous hat.
He smiles: you’re crazier than me, Dada. I add, we’re equal crazy;
you want me to read you one of his poems? He walks away.
You pause at the edge of the darkened bedroom when I return from surgery,
wide eyed at my stubbles, and inability to turn to fully see you.
Is that a scarf around your neck? To cover the staples and tubes, yeah.
The costume is complete when I pick up Percy Jackson for our bedtime
reading, which says: we’re normal as four nights ago. We’re not, though
imagining so heals us. You climb on the bed. We find a safe way to hug.
Unwoven loom
No one asked where the fuck have you been
when Odysseus washed up ten years
late
from the Trojan war.
Penelope’s mind surely wasn’t consumed
by Laestrygonians, couldn’t be
lulled
by Siren song.
She too loomed fiction with holes, her weapon
paused time, the shroud
unwove
suitors’ action.
No one heard her silent threaded
story that wove a web
across
the infidelities of time.
When GUY D’ANNOLFO (M.A.) isn’t battling impostor syndrome at his day job, or kindling a love of Natural History with his son, or accidentally disrupting the peace in a Satipaṭṭhāna class, he’s likely to be found doing what he loves most: writing and reading poetry. Guy’s poems have been published by the Schuylkill Valley Journal, The Courtship of Winds, Paperbark, Chestnut Review, and Cape Cod Times.